This Floating Poo Was Way Too Meaningful! It's the Television Letdowns of the Year.

As we reflect on the television offerings of the recent year, a handful of shows emerge not for their excellence, but for their notable shortcomings. From cringe-inducing sequels to bafflingly poor documentaries, here are the programmes that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Plagued with dreadful scripts, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the third series started, it seemed as if it had finally found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last season. It concluded on a low point; the lingering shot of Miranda’s loo full of poo was just way too symbolic. Still, viewers undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the smallest of this show's problems. The subject of a very rare zero star assessment, it was hard to know where to start listing the flaws. The laughably wooden writing? The mind-numbing glorification of wealth and materialism? The seemingly wilful parade of cliches? Acting so poor they felt almost malicious? Let’s just say “all of the above” and never speak of this series again. However, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any pity this series might induce should be reserved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

MobLand

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were many other problems. Primarily that it was just really dull; a dispute over narcotics territory between various cockney picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain ostentatiously angry commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into twee homemaking as intentional provocations. But then you watch them and are forced to admit that actually, they may have a point. It’s like watching a homeware catalogue come to life; a poster for evening drinks with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be said about both Victoria Beckham and her journey with vocation, identity, self-worth. But for whatever reason, this three-part series opted not to explore them. Rather, the experience was akin to consuming a sales brochure. She clearly has good reason to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this cagey non-event of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a well-known personality managing her estate. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up reeking of a programme that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was not enough. Plus, the abundance of famous friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart inclusion of talented emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated with care. Rather, the series struggled painfully to find the right voice, lumbering from strangely breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Perhaps. A complete mess? Very much so.

Prime Target

We admire the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about secret services spying on – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality notorious for sexual escapades as she undertook her most extreme challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was disturbing shots and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Stephanie Lewis
Stephanie Lewis

Elara Vance is a Toronto-based journalist and cultural critic with a passion for exploring the intersection of politics and everyday life in Canada.