‘Tis the season to slob out on the couch and demolish a packet of festive treats in front of a good movie, a awful feature, or one that’s awesomely awful.
As always, a batch of fresh holiday movies hopes to be part of our holiday traditions—maybe even earning a place alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Thus, in a helpful attempt to separate the winners from the losers, and to embrace the festive feeling, I watched as many fresh holiday releases as possible in a single day.
Beginning, hopefully, on a positive note. This film is the only 2025 entry on a well-known aggregator's list of the best 100 festive features of all time.
The musical trio are stranded in the UK after finishing their global concert series and must make it back for Christmas. Their endeavors are thwarted by an malevolent Father Christmas, who sings to announce they won’t get home until they “rekindle their sibling bond.”
The back-and-forth between the bickering brothers is enjoyable even for the uninitiated, while followers will certainly notice lots of in-jokes as they endeavor to get back using any means of transport necessary.
It’s a travelogue of mishaps.
It’s not a timeless masterpiece, but is superb for fans and a positive start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who are obliged to sit through it.
Hollywood star Kiefer Sutherland appears as a celebrity roped into a traditional British stage show.
“A what's a panto??” asks Sutherland’s “temperamental” and ageing lead Brad Mack, who has seen better days and whose representative has deceived him into thinking he’s starring in renowned British drama.
His pantomime fellow actors inform him he’s playing Buttons. “Absolutely not,” he retorts. You can guess their response. Except if you’re unfamiliar with traditional stage call-and-response.
There are some great jokes, some heartwarming storylines, and the rest of the cast is brilliant, too.
It’s the sort of feature that would be a bit naff at any other time of year, but is a great entertainment at Christmas.
Festive score: 🎄🎄🎄🎄
Danny Dyer pops up at the beginning of this film, too, insulting someone for the second film in a row. Could this be a budding festive ritual?
This time, he’s a singing black cab driver who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The classic narrative progresses as the stingy Mr Sood is visited by the ghosts of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least distinct from all the others, but sadly he’s not very charismatic and Nayyar’s portrayal is flat—a problem when he’s so the focal point.
Christmas tree rating: 🎄🎄
There’s time for a channel's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “isn't big on Christmas.”
But after he receives an large festive windfall at work, his wife (portrayed by Morgana Robinson) persuades him blowing the money on a family trip to Lapland.
There’s just one problem—he finds out there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to return the excess.
Fun while it lasts but not lasting.
Christmas tree rating: 🎄🎄
This is one of those Christmas films where the tree, fairy lights and snow are in the background—Christmas is the environment of the film rather than its raison d’etre—but it feels comfortable and seasonal all the same.
Driven corporate star Sydney (played by Minka Kelly) is dispatched to a country estate to secure an acquisition for a sparkling wine company. En route, she meets a fellow in a book store who offers to show her Christmas in Paris.
A critic recently stated this is the finest new Christmas film of the recent era. That’s a bit of a stretch, but it is a Christmas romance with a dash of elegance and gives the required warm and fuzzy feels.
The scene with a detailed conversation about Die Hard is very good too.
Christmas tree rating: 🎄🎄🎄
Teenage Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the efforts of his dad (starring James Buckley) to tell him the reality.
The secret is to be discovered, and Chris ventures forth to find it with the assistance of a panel of well-known scientists and personalities.
It’s understated but charming, and perfect viewing while anticipating Santa to visit.
Festive score: 🎄🎄🎄
Michelle Pfeiffer is the matriarch of a bickering American family who come back together for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in reality it’s really a combination of those forerunner films, at least until Pfeiffer’s character eventually takes center stage.
Christmas tree rating: 🎄🎄
The day’s waned in quality, but happily here’s a new addition in the crowded field of predictable, sentimental, cheesy—and highly entertaining—seasonal comfort food.
It’s a narrative as familiar as can be: An American woman journeys to a distant snowy land and ends up finding romance.
In this case, Caprice Bourret plays a publisher
Elara Vance is a Toronto-based journalist and cultural critic with a passion for exploring the intersection of politics and everyday life in Canada.